Many believe independent presses or small presses are an interchangeable title for printing various original works, which is often true. Almost one half of all publishers of books and nearly a third of magazines are produced by this type of industry press around the world. They are often referred to as indie publishing companies and they only print limited-edition books, mostly poetry anthologies, genre fiction and niche fiction and non-fiction books of various styles. They could also run small prints of specialty magazines.
In order to qualify for independent status, a press can in no way be a part of a multinational corporation that publishes books or magazines. A publisher of this nature, in which a small group or individual pours all their time, money and energy into a project they feel is worthy, is not a new concept. It began at the end of the nineteenth century with the Kelmscott Press and the Arts and Crafts Movement, with the help of writer, artist and textile designer William Morris.
The modification of publishers from large corporate to small independent did not happen in a few days' time. Similar to the film industry and the music industry, as equipment improved, so too did the author's needs. Writers wanted more control over their printable words, a small press can give them that control.
Another reason authors look to independent publishers is the fact they put more confidence in their projects. Pouring upfront funds into a book, using their professional services and helping a book to market, the right market is part of the perks. This way, a writer only needs to write, not print or do anything else to insure success.
Reserving an author's tone is paramount in small publisher's transactions. In addition, the author will retain all rights to their book after the small press runs their contracted amount of prints. For example, if an author is approached by another publisher or a film studio, they are able to sign a contract with either as they retain all rights to their material.
A small press will give a writer better profits and perks compared to self-publishing. Do-it-yourself publishers charge a fee for assistance, plus they require a limited number of books purchased before a total will be run, or an upfront feel. An independent publisher offers royalties for the use of a writer's work and do not retain copyright.
The definition of an independent publisher is one which grosses no more than $50 million per year. This amount is after discounts and returns and is on an average of 10 or fewer titles in a year. There are a couple presses that succeed in printing a couple more each year, but that doesn't disqualify them for small press status.
Printers do exactly that, they print a book any author writes. Their distribution is limited and offered as a print on demand (POD). Essentially, this type of company are not selective and nearly all writers who can pay the fee to become a published author get their words in print. For your book to stand out, search for indie publishing companies.
In order to qualify for independent status, a press can in no way be a part of a multinational corporation that publishes books or magazines. A publisher of this nature, in which a small group or individual pours all their time, money and energy into a project they feel is worthy, is not a new concept. It began at the end of the nineteenth century with the Kelmscott Press and the Arts and Crafts Movement, with the help of writer, artist and textile designer William Morris.
The modification of publishers from large corporate to small independent did not happen in a few days' time. Similar to the film industry and the music industry, as equipment improved, so too did the author's needs. Writers wanted more control over their printable words, a small press can give them that control.
Another reason authors look to independent publishers is the fact they put more confidence in their projects. Pouring upfront funds into a book, using their professional services and helping a book to market, the right market is part of the perks. This way, a writer only needs to write, not print or do anything else to insure success.
Reserving an author's tone is paramount in small publisher's transactions. In addition, the author will retain all rights to their book after the small press runs their contracted amount of prints. For example, if an author is approached by another publisher or a film studio, they are able to sign a contract with either as they retain all rights to their material.
A small press will give a writer better profits and perks compared to self-publishing. Do-it-yourself publishers charge a fee for assistance, plus they require a limited number of books purchased before a total will be run, or an upfront feel. An independent publisher offers royalties for the use of a writer's work and do not retain copyright.
The definition of an independent publisher is one which grosses no more than $50 million per year. This amount is after discounts and returns and is on an average of 10 or fewer titles in a year. There are a couple presses that succeed in printing a couple more each year, but that doesn't disqualify them for small press status.
Printers do exactly that, they print a book any author writes. Their distribution is limited and offered as a print on demand (POD). Essentially, this type of company are not selective and nearly all writers who can pay the fee to become a published author get their words in print. For your book to stand out, search for indie publishing companies.
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